Author: bestmedeal

As the dust settles from Kanye West’s Yeezy show, in which he and severalmodels sported “White Lives Matter” shirts, the rapper is standing by thestunt. Gigi Hadid, Jaden Smith and Diddy are among the stars who’ve condemnedthe message, and now, Khloé Kardashian has entered the chat.

The reality star called out her former brother-in-law for seemingly deflectingfrom the controversy by continuing to bring up her famous family. In anInstagram post on Wednesday, West rehashed claims he wasn’t initially invitedto daughter Chicago’s birthday and called out celebrities — like Hadid — fornot speaking up about that instead.

“So why did everyone feel so free to attack me about my t-shirt but CandaceOwens was the only public figure to say that it was wrong for the Kardashiansto keep me from seeing my daughter,” he wrote. (Conservative pundit Owens wasin attendance for Monday’s presentation and also wore a “White Lives Matter”shirt.)

Related video: Kanye West faces backlash for ‘WLM’ shirts at Yeezy show

West continued, “Or we just chime in when we want to tear a Black man down foractually having a different political opinion. And for all audience sooutraged about my t-shirt where was you when I couldn’t see my kids .. . Iwent public in hope of the public support at that time.”

Kardashian didn’t appreciate West publicly shading sister Kim’s parenting andresponded in the comments section.

“Ye, I love you. I don’t want to do this on social media but YOU keep bringingit here. You are the father of my nieces and nephews and I’m trying to berespectful but please STOP tearing Kimberly down and using our family when youwant to deflect,” Khloé began, saying everyone knows the truth about “thebirthday narrative.”

“You know exactly where your children are at all times and YOU wanted separatebirthdays. I have seen all of the texts to prove it. And when you changed yourmind and wanted to attend, you came,” she continued.

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“Like you have pointed out yourself, [Kim] is the one taking care of your kids80% of the time. Please leave her and the family out of it so that the kidscan be raised peacefully,” the Good American co-founder wrote, adding she’s”happy to continue this conversation privately if you wish.”

Shocker: West didn’t appreciate Kardashian’s message. And he certainly didn’ttake her up on the offer to chat in private. The rapper, who goes by Ye,posted a screenshot of the message and fired off a response.

“You are lying and are liars …” West began, yet again claiming the Kardashians”basically kidnapped Chicago on her birthday.” He maintained he was only ableto attend the party because Travis Scott, who shares two children withyoungest sister Kylie Jenner, gave him the address. “Also I should see mychildren 100% of the time but since there’s a separation it should have been50% of the time …” the fashion designer added.

Kim, who shares four kids with West, filed for divorce in Feb. 2021. Co-parenting has been a bumpy road for the stars as the rapper often airs outtheir dirty laundry online.

West’s latest posts contradict what he said in a Sept. 22 interview on GoodMorning America where he apologized to Kim “for any stress that I havecaused, even in my frustration.” He claimed he has “new respect” for ex-wife.But he stood by his assertion that he constantly has to “fight” to have a sayin decisions when it comes to their kids.

Kim has not weighed in on West’s posts or the “White Lives Matter” stunt. Arep for the star didn’t return Yahoo Entertainment’s request for comment.

Her sister Kendall Jenner responded subtly, though. Jaden Smith was inattendance at West’s Paris Fashion Week presentation, but walked out. “I hadto dip,” he tweeted. “I don’t care who’s it is if I don’t feel the message I’mout … Black Lives Matter.” Jenner liked the messages.

Did you give your dog an extra pat yesterday, or gave your cat that tasty foodthat is just a bit more expensive? Good thing, because it was animal day (anddon’t eat animal day). Talk shows also talked a lot about animals, such as in_On 1_. Writer and historian Rutger Bregman took a seat there. He sat(literally and figuratively) opposite Linda Verriet, president of theProducers Organization Pig Farming. And the two got into a fight.

In addition to Animal Day, yesterday was also the 25th anniversary of Pigs inNeed, so the organization called for an end to factory farming in theNetherlands in various newspapers. According to the organization, the switchto organic livestock farming would rather happen today than tomorrow. But isthat possible?

Clash in Op1 over factory farming

Rutger Bregman – author of, among other things, the books Most People AreGood and Free Money For Everyone – believes that we should go back to farmshow they are described in children’s books. “There you see pigs with curlytails rooting in the mud, chickens that have a lot of space. But the realityof factory farming is very different,” Bregman begins. “If we look at pigs, wesee that 99 percent of the pigs never come out. 99 percent of the pigs do havethose happy curly tails, but they are burned off.” Farmers do this, saysBregman, because otherwise the animals will bite each other in the tail,because they are so close to each other.

Bregman also thinks that more and more people feel that factory farming is’not okay’ and that things have to change. “We want to propagate a sound thatfewer and fewer Dutch people find normal. A recent study by Kieskompas showsthat 60 percent of the Dutch want a ban on factory farming, although I think aban itself goes a long way.” According to the writer, the three stars of theAnimal Protection meet the guidelines that he and the organization have.

It’s animal day and also the 25th anniversary of Pigs in Need, and so wrote> @rcbregman a letter to> all Dutch people. “I think we need to go back to the image we tell our> children. The farm as we know it in children’s books.” #On> 1> pic.twitter.com/hi5ZhcObiV>> — Op1 (@op1npo) Oct 4,> 2022

‘I only hear frames, like mega stalls’

A little later in the broadcast it is about farmers, and that they are alsohaving a hard time. Bregman: „If you ask yourself: ‘Why are there fewerfarmers in the Netherlands every year?’ Then the answer isn’t that there’ssome angry vegan club chasing them out of the country. No, it is the increasein scale, that intensification.” And then the author cites some examples. “Alot of farmers can no longer keep up with that increase in scale, those megastables. We now have 999 mega stalls in the Netherlands.” But Verriet doesn’tlike that kind of language.

“I really only hear frames all the time,” she begins. “Mega stables, misery, Ifind that really annoying. We really just keep our animals in a very good way.The whole world comes here to see how we keep our animals and it is suggestedhere that we are only dealing with scaling up.” Bregman interrupts her andsays it’s true that there are fewer farmers every year. “They can’t compete inthat enormous competition,” he says. “I would prefer there to be more farmers,who all work on a smaller scale.”

Then Verriet also touches on the aforementioned research, which shows thatmore than half of the Netherlands wants a ban on factory farming. “I thinkthat’s a study from 2021, the researchers were all vegans, I’m allowed to dothat,” she says. Bregman, shaking his head, “No, it’s Electoral Compass.”Verriet: “It doesn’t matter, but I am very curious about the population ofrespondents.” She mentions her own research, done by an independent marketingagency, which showed that 95 percent of the Dutch eat meat and plan tocontinue to do so. “5 percent is not, and that is allowed. And why do thoseothers eat meat? Because it is tasty and healthy.”

‘Mr Bregman doesn’t want pigs to eat meat anyway’

Verriet again addresses Bregman: “I am not at all against organic. I alsorepresent the organic pig farmers here. But we see that market share justisn’t growing.” She wants to continue her story, but Bregman interrupts her.„Do you think it is normal that-“, he does not get any further, becauseVerriet indicates that she also wants to ‘finish her story’. She also saysthat pig farmers can impose something on people, but people ultimately maketheir own choice.

Bregman continues his earlier question: “Do you think it is normal that 99percent of the pigs in the Netherlands never go outside? Do you think it’snormal for 99 percent of pigs to have curly tails that get burned? Is itnormal that all those pigs live on concrete, that they don’t have access to amud puddle, that they can’t behave naturally?” Verriet: “Mr. Bregman does notwant us to keep pigs in order to eat meat at all. We will never agree on that,animal welfare will never be enough for Mr. Bregman, because Mr. Bregman doesnot want pigs to eat meat anyway.”

On 1 -presenter Giovanca Ostiana jumps in between: “What would you like tosay to him?” Verriet: “Let everyone make their own choice. I grant that to allDutch people. Make a conscious choice, but come and see how we keep theanimals at pig farmers and have a conversation.” On 1 -presenter TijsBrinkman to Bregman: “And what do you say?” “I think it is important thatpeople know how pigs, but also chickens and cows, are really kept. That we areoften still telling ourselves a myth.”

You can watch Op1 via NPO Start.

An authentic yacht, aptly named ‘Love boat’, on the sun-drenched Turkishcoast. It all looked romantic and idyllic Monday night on TV. But between thecouples of Blindly married it’s starting to crack here and there. Especiallywith Jana De Bosscher, who gave her yes to Christiaan Graulus. She hid herselffor a while with fellow candidate Florence, to vent. Turns out Christian isn’ther type after all.

“I can see why they matched us, but in appearance it is not the man I wouldchoose,” said Jana about her husband. “You always say that looks don’t matter,but it is. It makes it easier to get attracted to each other.”

The fact that Jana has low self-esteem does not help the situation much. “Inthe beginning I was still in the adrenaline of marriage, but now I havestarted to think a lot. I got stuck on my looks and now on his too. I am in anexperiment in which I have to open up to Christiaan, but I notice that I amonly concerned with myself at the moment.”

Lost the bag

The presence of the other women on board gives Jana’s confidence an extradive. She thinks they are all “super handsome”. “I mainly look at theirbellies. If I see myself then, I’ll just put on a top. Then I feel better.During dinner I was louder again, because then I had more clothes on.”

It does not make the situation obvious for Christiaan, who was not fully awareof his wife’s doubts. “I can tell her a hundred times that she is the mostbeautiful. If I were to pick anyone outside the program, it would still beJana.”

Finally Jana decided to start the conversation in the room in the evening,when there were no cameras. And that hit Christian hard. “He was suddenly veryshort and brutal,” said Jana. “Then all this won’t work anymore and then itwon’t work anymorehe had said. I was afraid of that reaction. Otherwise he isa calm and sweet man. Now he came out really fierce.”

“I am a vain boy and I think appearance is important”, says Christiaan. “WhenJana said I wasn’t her type, that confidence was completely taken away. Ididn’t expect it, and was lost for a while. I thought I was suddenly at zeropercent. But then she was talking about 70 percent.” So Christiaan still hashope that things will turn out well. And for Jana, the calf hasn’t drowned yeteither. “It has now been said. I hope to start again with a clean slate.”

WHAT ABOUT THE OTHER COUPLES?

Florence (29) and Jiri (35)

At Florence Vandoorne and Jiri Punt, there is no attraction on her part yet.“I thought Jiri was a beautiful man at the wedding,” she says. “However, Ididn’t feel any attraction at the time and it still isn’t there now. Not niceto hear and also hard to say to him, but I wish he knew.” At the same time,she makes it clear to him that he is certainly not a no-go. “Maybe it canstill grow and I’m curious to see what comes next.”

Lien (30) and Joren (36)

Joren Dumont tries to meet Lien Opdebeeck’s complaints, but that is easiersaid than done. “She had indicated that I had to temper a bit because I wassometimes so busy. I have to try not to always take the lead in aconversation. When I do that, it immediately stands out. Then I am not exactlymyself.”

Brecht (27) and Dziubi (29)

The story of Dziubi Steenbergen and Brecht De Geyter is unanimously positive.This is both verbal and physical matchmade in heaven. If this turns out to benothing, it can’t have been the experts of the program.

Constance Wu is opening up about her suicide attempt in 2019 and theaftermath.

the Crazy Rich Asians and Hustlers actress appeared on Wednesday’s RedTable Talk via Facebook Watch, to discuss the shocking revelations in herbook, Making a Scene. They include being sexually harassed and intimated bya male Fresh Off the Boat producer __ and, later, facing backlash fortweeting her disappointment that the show had been renewed for another season.Being “canceled” over her tweets — with hate coming at her from manydirections, including from the Asian American community — led to herattempting suicide.

At her lowest moment amid the backlash, Wu wrapped herself in a blanket andstood on the ledge of her fifth floor balcony overlooking her New York Citystreet. As she considered her fate, a friend who came to check on her, “pulledme over – from climbing over the ledge.”

The friend “dragged” Wu “into the elevator, [put] me into a cab and took me toa psychiatric emergency room” for life-saving mental health treatment.

“I slept the night on a cot in the waiting room of the psychiatric ER underobservation,” she said. The next morning, she began counseling and then shestarted therapy with a psychiatrist and psychologist every day.

“I needed it. I was unsafe at that point,” she recalled. “I was in a mentalplace of just beating myself up. And so much shame. Feeling like I didn’tdeserve to live. Feeling like the world hated me. Feeling like I ruinedeverything for everyone. Maybe I did for some people , but, you know, peoplemake mistakes, right?”

When Wu posted those infamous tweets, the public didn’t know that she claimsto have endured sexual harassment by a Fresh Off the Boat producer. Theyjust thought she was a “diva,” “ungrateful” and that she thought she hadbecome “too good for the show” after the success of her the film Crazy RichAsians.

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“With the information the public had, of course I don’t fault people forthinking that,” she said. “What people didn’t realize that during my firstcouple years on [the hit show lauded for its Asian representation]I wassexually harassed and I was intimidated and I was threatened — all thetime.”

The Asian American producer, whom she didn’t identify “was so derogatory andharassing toward me” and she feared speaking up “because this show was sort ofa beacon of representation for Asian Americans and I sort of became a symbolof representation. I didn’t want to sully the one show with sexual harassmentclaims against the one Asian American man who was doing all this work [tobetter] the community. So that’s what happened when I tweeted that stuff. Itseemed out of character if you don’t know me and know all the pain and abuse Ihad to swallow for years. The reason I’m crying now is because you have to behonest about it as it happens, so that it doesn’t come out after the way it[did for me].”

She explained the sexual harassment, saying the producer would tell her how hepreferred her hair. Told her to wear short skirts. Rated her friends onwhether he’d “f***” them or not. He texted her at night requesting sexyselfies. “He kept tabs on all areas of my life,” she said.

She felt “guilty” thinking she somehow played a role in it. “This is my firstever big TV show,” she said. Her mindset had been: “I gotta pretend I’m partof the boys’ club. I gotta pretend I’m cool with this talk.”

Constance Wu on Red Table Talk. (Photo: Jordan Fisher)

She also claims he touched her inappropriately. He pressured her into going toa basketball game. He told her how to dress. While there, he rubbed her legand put his hand over her crotch. She told him to stop, which she said angeredhim and he ignored her in retaliation.

Wu spoke up to a couple people, but nobody encouraged her to go to HR and shedidn’t think she’d be believed without evidence. She said she now knows thatshe should have reported it — because even if it didn’t help her at the time,it would start a record and potentially help others in the future. She wasultimately able to cut him out for the remaining three to four years of theshow.

The Season 5 finale of Fresh Off the Boat was written to be the seriesfinale. She said ABC gave her its blessing to pursue other projects. Then hermovie Crash Rich Asians was a big success and the network decided to renewthe show. It was “sort of a bad look to cancel the one Asian American sitcom,”she said. Wu, still under contract and required to do Season 6, felt “lied to”and disappointed because she wouldn’t get the “clean slate I was lookingforward to.” Plus, she had to drop out of projects she had lined up.

So she tweeted, which she now knows wasn’t the right move, about her upsetabout the renewal. She said the backlash was immediate and it was especiallyhurtful that the Asian Americans “were the ones who piled on” the most. Thebiggest sting was getting direct messages from a former colleague, an Asianactress, “who should have been my ally.”

The messages — accusing her of sullying the one shining beacon of hope forAsian Americans — stung. That triggers her suicidal thoughts.

Wu discussed messages she received from an Asian actress. (Red Table Talk)

After Wu’s tweet backlash, she dropped off of social media for three years.She didn’t discuss her suicide attempt or hospitalization publicly and triedto keep a low profile. She recalled in the immediate aftermath being “punishedand mocked” — and recalled a story about attending a gala honoring AsianAmerican icons and changemakers in the entertainment industry in late 2019.

Fresh Off the Boat was being honored at the event and there was so muchcontroversy around her that she initially declined to attend. Plus, she was ina “raw place” and didn’t want to be the target of mockery. She expressed thisand was told she was beloved and it would “only be warm energy and positivevibes” if she came. She said it was a bait and switch.

“They sat me in the front row, and had all these cameras on me, and within 10minutes the host of the show made a crack at me,” she recalled. “I was sittingthere alone trying not to cry in a public setting… They had promised theywouldn’t mock me and they did it right off the bat. I felt like they weresetting me up… It felt like a betrayal from the Asian American community. Acouple months prior to that, I was in the emergency room.”

She said the host — Simu Liu — “did the right thing and he apologized. It wasa sincere apology.”

Wu’s book of essays is out now and also shares that she was sexually assaultedin her twenties.

If you or someone you know are experiencing suicidal thoughts, call 911, orcall the National Suicide Prevention Lifeline at 1-800-273-8255 or text HOMEto the Crisis Text Line at 741741.

In addition to her other film projects, celebrated British director AndreaArnold spent four years working on her first documentary cow. The film tookso much time because it follows a dairy cow from birth to death. Arnold isknown for penetrating feature films such as Fish Tank (2009) and AmericanHoney (2016). The switch to documentary is not as big as it might seem atfirst glance. Arnold always works in and with reality in her feature films –as a result, her work is remarkably raw, authentic and devoid of overlyostentatious moralism.

In front of cow she settled regularly on a fairly average farm in Kent. Shefollows her cow Luma first as a calf, then shows how she is being prepared formilk production, how Luma brings her own calves into the world and how hereconomic value gradually decreases as she can give less milk. Arnold does notemphatically seek compassion for the animal in the viewer. There is nocommentary – the viewer has to answer the question whether or not this is anethical way of dealing with an animal.

It turns out to be remarkably easy to stay captivated for a long time by thenon-human protagonist of cow. “I have noticed from the reactions that peoplemainly project a lot of themselves on the film,” says Arnold in Novemberduring a visit to the Amsterdam documentary festival IDFA. “The film evokes insome people associations with difficult periods in their own lives:associations with being locked up in a prison, or painful events in their ownrelationship with their mother.

“I thought I had made a gentle film, but the reactions sometimes turn out tobe quite intense. I thought I had made a film about a cow, but from thereactions I conclude that there may be other themes that come up as well. Thatin itself is not so strange. If you work intensively on a film, subjects andthemes will inevitably end up in it that are of great importance to youpersonally. It doesn’t have to be conscious at all. Never before have I beenable to bring about such an open dialogue with the audience with a film.”

What were the most striking reactions for you?

“I don’t want to go into too much detail about that. I absolutely can’t standit when someone starts explaining their own work extensively to the public.That can only hurt the conversation about the film. I think it’s good ifviewers give their own meaning to the film.”

That freedom for the viewer is also in your films themselves. You always leavea lot of room for interpretation.

“That’s a movie, isn’t it? The world is very polarized right now. That may bethe effect of social media. We only take information in small chunks onTwitter and Instagram. This may mean that we are less and less curious in ourthinking. With my films I try to arouse the curiosity of the viewer, much morethan imposing a certain vision on the viewer.”

You’re very involved with the social themes in your movies, but you don’t makeactivist movies.

“Some people see my films that way. People are never just good or evil. Theycan do something absolutely evil and do a good deed on the same day. We arevery imperfect beings.

“There are so many other colors between black and white. Polarization doesn’tget us much further. People’s behavior often has everything to do with theworld they come from. Some people can’t behave at all differently than theydo. Should we just write off such people?”

You are not expressing an explicit judgment even about our currentrelationship with animals.

“So I don’t want to say too much about that. But this: the film was made fromthe idea that we as humans have lost contact with nature. I’ve had thatfeeling for a long time. I myself grew up in a large housing complex withsocial housing on the outskirts of London. My mother was sixteen when I wasborn and my father eighteen. My father was never there, maybe my mother wasjust too young to raise children. As a result, I had a very free childhood,without too much supervision.

“Our residential complex was close to nature. As a child I was always outsideplaying. When things exploded again at home, I went outside to relax innature. After that I could handle the umpteenth drama at home better. I havealways maintained that connection with nature. That’s why there are so manyscenes with animals in all my movies. For me, that’s a very natural way ofexpressing myself. If I have a scene with a character who is furious, Iimmediately put one in. That happens almost unnoticed.

Read the review of ‘Cow’

“As humans, we are part of nature. We are animals. Smart animals maybe, butanimals. The film is my humble attempt to let that realization sink in. Nowlook at an animal, a cow, as a conscious living creature, with which we ashumans are connected. Don’t look away, because that’s what people do all toooften. We often don’t want to know where the food in our stores comes from.”

Three famous movie farm animals

Au hasard Balthazar (Robert Bresson, 1966)

The cloister of a pack donkey won the Venice Jury Prize; remake EO by JerzySkolimowski won the jury prize in Cannes this year. At Bresson, the donkey isa saint: humble and subservient. After a carefree childhood, Balthazar fallsinto the hands of exploiters, clowns and a spiteful bastard. A tearjerker withreligious undertones.

The Turin Horse Bela Tarr, 2011

The title refers to the mercilessly beaten horse that sent philosopherNietzsche into a psychosis from which he never recovered. With this portraitof a farmer, his daughter and his horse on a very bleak puszta, ultra-pessimist Béla Tarr emphasizes that man is even worse off in terms of miserythan his beast of burden, which accepts his fate without question.

gunda Viktor Kossakovski, 2020

An ode to the piglet on his grandparents’ kolkhoz with whom Kossakovski becamefriends as a child; after his unexpected slaughter he became a vegetarian. Hegives the sow Gunda and her piglets a movie star treatment, he filmed onseveral farms and in a studio. It’s a piggy’s dream filmed at snout level,until humans make their routinely cruel entrance.

Wynonna Judd is currently performing shows on The Judds: The Final Tour, forwhich she was originally supposed to be accompanied by her mom, Naomi, whodied in April at 76 following a long struggle with mental health.

Now, she’s courageously braving the stage without the mother-daughter duo’sother half for 10 concerts through the end of October, though it won’t beeasy. “This is my opportunity to step into a situation that I don’t know thatI am ready to do what I’m about to do, but I think it’s going to heal me,”Judd tells PEOPLE in this week’s issue.

“I’m teaching what I want to learn, which is how to have peace and joy in areally negative [time],” the country musician, 58, explains. “I want people toknow that they’re loved. I want people to know that there’s hope.”

RELATED: Wynonna Judd on Mom Naomi: ‘With the Same Determination She Had toLive, She Was Determined to Die’

Wynonna Judd Rollout

Jim Wright Wynonna Judd

Luckily, she isn’t alone on the road, as Martina McBride serves as the tour’sopening act and joins Judd onstage each night for a performance of the 1984hit, “Girls Night Out.” Given the gloomy circumstances, the 56-year-oldsinger-songwriter isn’t taking the role lightly. “I was so honored to be askedin the first place,” McBride tells PEOPLE. “I think it’s going to be a verymoving experience for the fans.”

A longtime fan of The Judds, McBride recalls singing “Mama He’s Crazy” withher dad Daryl Schiff’s band as a teenager. “They’re iconic,” she says of theduo, noting that she now sees Judd as a “symbol of strength.”

“When I think of Wynonna, that’s what I think of — a strong person,” addsMcBride.

RELATED: Naomi Judd Remembered by Fellow Country Stars Following Her> Death at 76: ‘Heartbreaking News’

Additionally, Judd’s joined by a different country act on each night of thetour, with the guests including Ashley McBryde, Little Big Town, KelseaBallerini, Faith Hill and Trisha Yearwood.

“Like most girls my age in the ’80s, I sang along with the radio and knewevery Judds song. If I couldn’t hit those Wynonna high notes, I could dropdown into that sweet Naomi harmony and sing along,” Yearwood, 58, tellsPEOPLE. “The Judds are such an important part of country music history, and ofmy life. I’m honored to be able to join Wy and help her finish this journey tohonor the Judds and Naomi.”

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Wynonna Judd Rollout

Jim Wright Wynonna Judd on the cover of PEOPLE

RELATED: Country Queen Naomi Judd Was a ‘Powerhouse’ Defined by HerCompassion and ‘Witty’ Humor, Say Friends

Since Naomi’s death, Judd has spent time feeling sadness and disbelief towardthe loss, but she doesn’t want to sit in the dark feelings. “Am I going to gohome and just get depressed and down, and stay stuck in that?” she says. “Isigned on for this tour because it’s like, ‘I gotta do something.'”

Despite the understandable difficulty of embarking on the tour less than sixmonths after losing her mother, Judd is ready to take a leap of faith andperform. “I’m looking forward to showing up and walking out onstage,” shesays, likening her “terrifying jitters” to those felt while preparing to walkdown the wedding aisle.

“You’re terrified to say, ‘I do,’ in front of everybody, but you do, and youfeel this, ‘Ahh,’ and you just feel the good stuff. I’m ready to feel the goodstuff,” explains Judd. “I’m going to walk out on that stage like I know whatI’m doing. [The crowd is] going to buy it, or at least some of them will. I’mexcited about that.”

Watch the full episode of People Cover Story: Wynonna Judd below or on thePeopleTV app.

The concerts provide Judd with the opportunity to honor Naomi’s legacy, whichshe plans to do by performing songs written by her late mother, including1989’s “Guardian Angels.”

“There’s a line in that song that says, ‘Elijah was a farmer. He knew how tomake things grow,'” she details, noting that Elijah was the name of her”great, great, great grandfather,” whom she named her 27-year-old son after.”[In the song,] she says, ‘I can hear him whispering to me, ‘Hard work neverdid a body harm,” meaning that it’s really good to work hard because at theend of the day, you’re too tired to be depressed or lonely. “

RELATED: At Stirring Tribute to Mom Naomi Judd, Wynonna Announces Tour> Will Go On: ‘That’s What She Would Want’

Reminiscing on a favorite memory of time spent with Naomi, Judd recalls asweet moment they shared before a performance. “We have it all. We have [six]Grammys. We have millions of records sold. We have everything, and she’s inher sparkly, queen-of-everything outfit,” says the musician. “She takes myhand, and she says, ‘Because of you, my life has been better.’ I’ll neverforget that.”

Wynonna Judd Rollout

Jim Wright Wynonna Judd

Looking back on times like those help Judd to process the negative feelingsthat’ve followed Naomi’s death.

“Somebody said, ‘Are you angry?’ I said, “Hell, yeah. I’m angry. Mygranddaughter was born 12 days before she left. I have anger,” but then Irealized after the compassion and all the pieces, that there’s some real joythere and to celebrate the joy as much as I can,” Judd says. “That’s part ofthe reason I’m doing the tour.”

_For all the details on Wynonna Judd ‘s journey through grief, pick up thelatest issue of PEOPLE, on newsstands everywhere Friday. _

If you or someone you know is considering suicide, please contact the 988Suicide and Crisis Lifeline by dialing 988, text “STRENGTH” to the Crisis TextLine at 741741 or go to 988lifeline.org .

If you or someone you know needs mental health help, text “STRENGTH” to theCrisis Text Line at 741-741 to be connected to a certified crisis counselor.

Every viewer will answer the question of how choose it is to intersperse adrama about a Brussels Syrian traveler with song and dance numbers. As well aswhether he goes to Syria of his own choosing to fight Assad or is a playthingof history. And then there is the moral question: is it possible to understandat all the actions of Kamal, hero of Rebel?

Also read an interview with directors Adil and Bilall about ‘Rebel’: ‘ ISfighters looked like us, very confrontational’

Rebel is the new film by the Belgian duo Adil and Bilall. They broke throughin Hollywood with Bad Boys for Life (2020) and return with Rebel back tothe Brussels district of Molenbeek, which also featured in their debut film_black_ (2015). The main character is Kamal, a drug dealer with a penchant forfast motorcycles. He is kind to his 12-year-old brother Nassim and theirmother Leila. But when he runs into the light and the police find drugs attheir home, Leila firmly rejects him.

Kamal leaves for Syria where he first fights against Assad and later isrecruited by ISIS reluctantly. He works as their cameraman but one day ends upas an executioner in one of their violent, professionally shot and slicklyedited propaganda videos. Adil El Arbi and Bilall Fallah illustrate that Kamalis really good by letting him be nice to the bride bought for him, the YezidiNoor.

Meanwhile, Kamal’s brother Nassim, much to his mother’s chagrin, is sensitiveto a smooth-talking recruiter (“Your brother is a hero”). Does Nassim go afterhis brother, whom he looks up to?

Guts cannot be denied to Adil and Bilall. For example, they make a parallelmontage between a bombed-out hospital in Aleppo and a rap song in a decadentdisco in Brussels. Not subtle, but exciting. Slightly more dubious is theirchoice to film a rape scene as a stylized dance sequence, not to mention asevered head talking about Paradise.

On the other hand, there are strong scenes, such as the moment when motherLeila reproaches the police for not doing anything against recruiters, becausewith every Syria traveler there are “fewer Arabs to keep an eye on”. The duodivides their film into chapters with narrative raps and songs, which serve asinterludes. So it is about “blood shed” – the calm before the storm.

Sometimes the balance is also lost in their style choices. Dynamically filmed,immersive moments are contrasted with less convincing scenes, such as Kamalteaching his bride to ride a motorbike, filmed in the desert against aromantic backlight caused by the setting sun. The brutal Syrian realitybecomes a tribute to a classic here Lawrence of Arabia. Choose or unselect?

Yesterday we wrote that the reactions to the latest SBS6 series from Linda deMol are not tender. Johan Derksen is in it Today Inside a little more ontop. “The series is already a monstrosity. Badly acted and badly written.”

The series FIVE LIVE is about the divorced couple Sara (Linda de Mol) andRoderik (Waldemar Torenstra) who present a fictional talk show together. OnTwitter, critics do not mince words: they call the program “crowded” and”bland” among other things. According to viewers, the makers could also havethought a little better about the fact that one of the characters is calledOrlando Boldewijn: a seventeen-year-old boy who was murdered four years agoturns out to bear the same name. A spokesperson for Talpa said about this:”The character Orlando is fictional and the name – now it turns out veryunfortunate – was chosen by chance.”

Derksen: ‘The Dutch cannot act’

In Today Inside the gentlemen discuss programs on national television, amongother things. In the latest episode, the SBS6 series is first laughed at theall-rounder, to which Derksen states that it could be worse. “The worst thingI’ve seen is Linda de Mol’s new TV series. The acting was very bad.overacting like the Dutch do. Apparently Dutch people can’t act. It didn’tlook like anything.”

The analyst has nothing good to say about the program. “This is tasteless andnot fun at all. If you write such a thing with self-mockery, then you have towrite that the presenter’s husband is cheating with production ladies. Thenyou have a sense of humor.”

The scene in which a parody of television critic Angela de Jong gets a lamp onher head caused a lot of controversy and Derksen also thinks it is his own.”This was a personal settlement with Angela de Jong.” Still, he can’t help butsneeze at De Jong, with whom he had already quarreled. “I think it’s evenworse that Angela de Jong then responds with a column. Then you are reallychildish.”

Reaction Angela de Jong

Angela de Jong has in a column on AD.nl let us know what she thinks of theseries „Let’s face it. Having me end up for dead at a talk show table with abloodied skull is not only the wet dream of Linda de Mol, but in any case ofall her colleagues at Talpa and three quarters of her other colleagues in theHilversum snake pit. I can handle that. What I can’t stand is a drama seriesin which the biggest clichés about the TV world are conveniently pastedtogether, sometimes quite good actors have put on a cheap wig and that as aformer TV queen, who always prided herself to know what her viewers want tosee, seriously thinks that you deliver a top production à la Divorce and_Gooische Women_.”

FIVE LIVE by Linda de Mol

Lawyer Job Knoester is a guest and agrees with Derksen. “It’s kind of turninginto a bitch fight. I don’t think Linda needs this at all. It would have to beway too big for this.” Presenter Wilfed Genee then says with a laugh: “Ialways wonder how long our contract will run.” Derksen does not think thegentlemen have to worry: „If The All-rounder – what you should be ashamed of– attracts 700,000 people, then we can sit here until we die.” That TodayInside does not just disappear from the tube, as it turned out earlier: afterthe infamous candle story, the plug was pulled from the program in May thisyear, but after two weeks it returned cheerfully.

Finally, De Mol’s program gets one more time from Derksen. “The series isalready a monstrosity. Badly acted and badly written.”

You can watch the episode of Today Inside below or via KIJK.

UPDATED WITH STATEMENT FROM ALEC BALDWIN: Peace Productions and its starand producer Alec Baldwin have reached a settlement with the estate of slaincinematographer Halyna Hutchins. As part of the peace, the DP’s husbandMatthew Hutchins will executive produce Peace, which will return toproduction in January 2023 with the original cast.

The Hutchins family filed a wrongful death lawsuit back on Feb. 15 about theshooting of the DP which occurred on Oct. 21, 2021 when Baldwin discharged aprop gun after being informed by the production AD David Halls that the weaponwas “cold”.

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“We have reached a settlement, subject to court approval, for our wrongfuldeath case against the producers of Peace , including Alec Baldwin and RustMovie Productions, LLC. As part of that settlement, our case will bedismissed,” said Matthew Hutchins, husband of the late Halyna Hutchins saidthis morning.

“The filming of Peace which I will now executive produce, will resume withall the original principal players on board in January 2023,” added Hutchins’husband.

“I have no interest in engaging in recriminations or attribution of blame (tothe producers or Mr. Baldwin),,” he added, “All of us believe Halyna’s deathwas a terrible accident. I am grateful that the producers and theentertainment community have come together to pay tribute to Halyna’s finalwork.”

Rust Movie Productions, LLC, through its attorney, Melina Spadone of PillsburyWinthrop Shaw Pittman, said: “We are pleased the parties came together toresolve this matter, which, subject to court approval, marks an important stepforward in celebrating Halyna’s life and honoring her work.”

Story continues

Alec Baldwin’s attorney, Luke Nikas of Quinn Emanuel, added: “Throughout thisdifficult process, everyone has maintained the specific desire to do what isbest for Halyna’s son. We are grateful to everyone who contributed to theresolution of this tragic and painful situation.”

Later this AM, the Oscar nominated actor of The Cooler had this to add onInstagram, “We are pleased to announce today the settlement of the civil casefiled on behalf of the family of cinematographer Halyna Hutchins. Throughoutthis difficult process, everyone has maintained the specific desire to do whatis best for Halyna’s son. We are grateful to everyone who contributed to theresolution of this tragic and painful situation.”

Joel Souza, Director of Peace , said: “Those of us who were lucky enough tohave spent time with Halyna knew her to be exceedingly talented, kind,creative, and a source of incredible positive energy. I only wish the worldhad gotten to know her under different circumstances, as it surely would havethrough her amazing work. In my own attempts to heal, any decision to returnto finish directing the film could only make sense for me if it was done withthe involvement of Matt and the Hutchins family. Though certainly bittersweet,I am pleased that together, we will now complete what Halyna and I started. Myevery effort on this film will be devoted to honoring Halyna’s legacy andmaking her proud. It is a privilege to see this through on her behalf.”

The Hutchins original lawsuit in February read “Defendant Baldwin, theProducers, and the Peace Production Companies were aware of firearms safetyissues that had occurred on the set of Rust and did not take action to correctthe situation and ensure that basic gun safety rules were followed on October21, 2021…Had Defendant Baldwin, the Producers, and the Peace ProductionCompanies taken adequate precautions to ensure firearm safety on the set of_Peace_ or if basic firearm safety rules had been followed on the set of Ruston October 21, 2021, Halyna Hutchins would be alive and well, hugging herhusband and nine-year old son.”

Close to a year since the tragic incident occurred, the Santa Fe Sheriff’sOffice has yet to charge anyone.

Last month, Deadline obtained a letter from Santa Fe District Attorney MaryCarmack-Altwies to the New Mexico Board of Finance requesting $635K toprosecute as many as four individuals with criminal and homicide chargesrelated to the Peace tragedy (the DA was granted $317,750). The DA said inher letter that “one of the possible defenders is well known movie actor AlecBaldwin.” Nikas, speaking on behalf of o Baldwin, responded to the DA’s letter“that it would be premature to discuss the case because they had not yetreviewed the file or deliberated about their charging decision.”

“It is irresponsible to report otherwise,” Nikas blasted at the time, “The DAhas made clear that she has not received the sheriff’s report or made anydecisions about who, if anyone, might be charged in this case.”

Nikas stated back in April that the Peace OSHA report “exonerates” Baldwin.

In an ABC news interview with George Stephanopoulos last December, Baldwininsisted he never actually pulled the trigger of the gun which took Hutchins’life during a quick draw rehearsal move in a church location on the set of_Peace._

Baldwin also told Stephanopoulos back in December, “I have been told by peoplewho are in the know, in terms of even inside the state, that it’s highlyunlikely that I would be charged with anything criminally.”

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In reality soap Mass is Cash took the law into their own hands last night. Aman regularly enters one of the holiday parks by cutting a hole in a fence.That has to stop now, according to the Gillis family. So the intruder had tobe caught in the act. Viewers have marveled at the way in which it happened.

No leading role for Peter Gillis and his Nicol Kremers last night (last weekfor the girlfriend of the holiday park millionaire, when his dog Coco ranthrough a chicken run). Now she was just playing a ‘head turd’. 657,000viewers saw Peter Gillis empty a chemical toilet of their camper “becauseNicolleke had put a hand grenade in it”. Whose deed.

Thief on site means no mass is cash

So catch a crook. That’s where it went yesterday Mass is Cash to. If hereally does break in once, the parks credo ‘mass is cash’ will of course nothold for a while. The black-clad man was once caught by a tree-mounted camera,but he could not be identified. Everything out of the closet now, thoughtGillis son Mark Gillis (the one from the famous ‘fox wild walk’). Parkie Mark,who was called Mark Jong-Un by a number of viewers, had to watch at the fenceovernight. He only had no time for himself that night, because of othercrowds. What kind of crowds? No one will ever know.

“Rambo Ruudje is preparing for the worst”, voice-over Frank Lammersintroduced. Ruud is the other son of Peter Gillis and also the somewhat clumsyhandyman. And of course it Mass is Cash character with the inevitable punsthat some viewers enjoy and others hate. When Nicol Kremers entered a DIYstore in stiletto heels yesterday, you just knew that Ruud was going to makeit. And so he did: “So, with the heels over the ditch.” Many more followed.

JanPieter after a heavy night. Screenshot: SBS6 / Mass is Cashier

The roar was out of the air

Ruud stocked everything from sleeping bags to flashlights (“in case we stillwant to see the light”), spray against mosquitoes and ticks (“that’s not agood sign”) and er… frankfurters. He had to spend the camouflage night withthe robust Jan Pieter Cox, who checked three times whether his companion hadreally brought the frankfurters. Ruud and Jan Pieter then went into the nighton camp beds in the bushes – and with frankfurters. Mark did drop by withstuff to camouflage the faces. The result was more tragic than hilarious.

Was the all-or-nothing campaign successful? Well, if you’re talking about agood night’s sleep. The roar was in fact not out of the air and… the intruderskipped a night. Ruud had only ‘heard a hedgehog’. Viewers of _Mass is Cash_must have sat on the couch shaking their heads or laughing out loud.Everything looked well arranged. Only: that enormous camera lamp thatcontinuously illuminated the setting: according to many twitterers, it was notreally useful, was it? To be continued…

No, we don’t stand out in our camouflage suits with the camera lamp on top> 🤣#mass> checkout>> — mom (@prouddmama) Oct 4,> 2022

Mark-Jong Un is going to bring provisions to his troops. Waiting for the> enemy in the field yourself: that lazy nasibal doesn’t do that #mass> checkout> pic.twitter.com/SH7lQL3EPw>> — Vincent G. de Vlugt (@Vincentgdevlugt) Oct 4,> 2022

Ruud and Cox look like they just finished a big forest rave> #MassaisCheckout>> — Frank Mouthaan (@Dunne076) Oct 4,> 2022

Looks like 2 wild boars when you hear them snoring like that. #mass> checkout>> — Liel (@Liel1980) Oct 4,> 2022

Are those lamps during the night watch also for the atmosphere and> experience? #mass> checkout> pic.twitter.com/rRhjGx5tTE>> — Sander (@Lacru90) Oct 4,> 2022

Those lamps don’t help with invisibility either #mass> checkout>> — Stoffeltje (@kristelholtkamp) Oct 4,> 2022

Camouflage on your face, lying there in your bright red shirt…🤨🤨 > #mass> checkout>> — Robin 🇳🇴 🇨🇭 🍂🎃 (@Robinbouw8) Oct 4,> 2022

You stand guard very inconspicuously with a whopper of a camera lamp on it.> That really helps #mass> checkout>> — Lianne van Veen (@Liedje87) Oct 4,> 2022

The entire broadcast of Massa is Kassa can still be viewed.