Author: bestmedeal

Amy Yasbeck has spent the last 19 years navigating life without her husbandJohn Ritter physically by her side.

“I miss John as a partner,” the 60-year-old widow shares exclusively withPEOPLE from her Los Angeles home.

Although she’s done her best to keep his memory alive and move forward, thethought of opening her heart to someone new seems daunting.

“I don’t date,” Yasbeck says. “I mean, it could happen. I’m not in the mood. Ithink I would miss John more if I was dating, as weird as that sounds. Butbecause I always feel like he’s with me, and that would be weird because inthat case, three ain’t company.”

Amy Yasbeck acting again at 60 after John Ritter’s death. Credit: RochelleBrodin

Amy Yasbeck

The couple with in 1990 during a table read for Problem Child at the houseof director Dennis Dugan. They quickly connected over their love of the artsand tied the knot nine years later in September 1999.

“John and I bonded about comedy, where we’d watch old comedies,” Yasbeckexplains. “He would do moves and he would teach me how to trip or take a fakepunch or spit take. I was learning that kind of stuff, physical comedy fromthe master, which John was.”

But on Sept. 11, 2003, Yasbeck’s life flipped upside down when Ritter was onthe set of 8 Simple Rules and suddenly fell ill. The actor was rushed to aBurbank hospital, where he initially was treated for a heart attack, but hedied later that evening of what was an undetected aortic dissection at54-years-old.

According to the Mayo Clinic, an aortic dissection is a serious condition inwhich a tear occurs in the inner layer of the body’s main artery, or theaorta. Blood rushes through the tear, causing the inner and middle layers ofthe aorta to split. If the blood goes through the outside aortic wall, likewhat happened to the Three ‘s Company star, an aortic dissection can bedeadly.

Amy Yasbeck for I Wish I knew

courtesy Amy Yasbeck

RELATED: Kaley Cuoco Pays Tribute to 8 Simple Rules Costar John Ritter on17th Anniversary of His Death

Over the years, Yasbeck and Ritter worked on several projects togetherincluding The Cosby Show, Problem Child 2 and even an episode of Yasbeck’shit series wings where she says Ritter would always leave his mark.

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“He was an excellent person to have on a set and when anybody who’s an actor,including me, says, ‘Hey, you remind me of John Ritter, how you talk to thatcamera person or how you’re relating with the guest stars “That’s the highestcompliment,” Yasbeck says. “The set was a place where John was first, second,third, didn’t matter on the call sheet. It was a whole kind of shine to thewhole thing.”

“Whether there was an audience there or not, he just didn’t turn it on whenthe audience was there. You were entertained all day long and your ego was fedin an appropriate way,” she continues. “He loved show business. He was almostlike a conductor that was also being the symphony. I don’t know how he did it,but it was amazing.”

Amy Yasbeck for I Wish I knew

courtesy Amy Yasbeck

RELATED: Jason Ritter Remembers Breaking His Dad John ‘s Emmy as a Kid

Although Ritter’s physical presence is no longer apart of her every day life,Yasbeck keeps John’s memory alive by trying to prevent another family fromexperiencing similar heartbreak.

“I have been dedicated heart and soul and mostly aorta, to creating the JohnRitter Foundation for Aortic Health,” Yasbeck shares. “It takes up a greatdeal of time, but it needed to happen and it has already had some beautifulresults in just the awareness that’s brought to aortic dissection and aortichealth in general.”

Not only does Yasbeck help those she’s never met, but her work has also helpedsave other family members on John’s side — many of whom she’s still close withtoday.

“Our family doesn’t know what the Ritter genetic anomaly is to look for, butwe know there is one because John’s brother, Tom, actually had an aneurysm acouple years after John passed away that was found,” Yasbeck explains. “Thenhis aortic arch was completely repaired, replaced, as a matter of fact,because we knew to look for that.”

“All of the family gets scanned, all the first-degree relatives, and it’snever going to sneak up on us. It’s something repairable and preventable,” sheadds. “But if you don’t know that your family’s at risk or if you’re not awareof aortic dissection at all, it can come out of the blue and you can learn thehard way, like we did when John was misdiagnosed.”

Amy Yasbeck acting again at 60 after John Ritter’s death. Credit: RochelleBrodin

Rochelle Brodin

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As the 20 year anniversary of her husband’s death approaches, Yasbeck may notbe ready for a new physical relationship, but she’s ready to focus on anotherkind of love in her life that John brought out in her: acting.

“I think I’m ready to get my ducks back in a row,” Yasbeck says. “Get some ageappropriate headshots and get going. I love it so much. My favorite thingabout acting is the little families that you make. I love having a call sheetand I love the community. Work on here, you work on there and then you go hometo your real family [and] then you’ve got your work family. I like that.”

Kerry Washington, Zoë Kravitz, Rosario Dawson, Don Cheadle and Niecy Nash-Betts were among the 160,000 SAG-AFTRA members who urged Congress to pass theCROWN Act, which prohibits discrimination based on hair style and texture.

In a strongly worded letter sent to the US Senate, SAG-AFTRA encouragedCongress to pass the bill, as it is an essential step to making all workplacessafe for people of color, and it is consistent with the Guild’s efforts toadvance equity and inclusion in the media and entertainment industry.

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The CROWN Act stands for Creating a Respectful and Open World for NaturalHair.

“The CROWN Act is a huge step in ending discrimination based on hair in publiceducation and work spaces,” said SAG-AFTRA President Fran Drescher. “Peopleshould feel free to style their hair how they feel most comfortable withoutthe threat of prejudice and unfair treatment. The CROWN Act will protect andpositively impact the lives of many Americans at school and work, but there isstill more work to be done to ensure private institutions adopt theprotections the CROWN Act provides. We should celebrate all hair styles NOTdiscriminate!”

Members asserted in the letter that “discrimination based on hair style ortexture is a destructive practice that has alienated and caused irreparableharm to Black Americans.”

The actor’s union has been working toward achieving hair and makeup equity inthe workplace.

The statement of support was recommended by the SAG-AFTRA Hair and MakeupEquity Work Group, chaired by Jason George, Yvette Nicole Brown, TiffanyYvonne Cox, Michelle Hurd, Ezra Knight, Linda Powell and Sheryl Lee Ralph.

“When you work in an industry where you can be hired — or not hired — largelyon how you look, you become acutely aware of how damaging it can be todiscriminate against someone based on something as extraneous as how they weartheir hair,” said George. “We’ve made strides in our own industry, but we haveour union backing us up and not everyone has that. Until our nation’s leaderssay, in no uncertain terms, that it is not acceptable to discriminate againstsomeone based on their hair, private employers and institutions will continueto skirt the issue with ease. The CROWN Act sets a new standard of equity thatmakes it harder to justify harmful and outdated practices.”

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sen. Cory Booker first introduced the CROWN Act in the House, which passed thebill in March with a 235 to 189 vote. The CROWN Act is awaiting passage in theSenate to then head to President Joe Biden’s desk.

The full letter and list of signatories is below.

SAG-AFTRA SUPPORTS THE CROWN ACT

The Screen Actors Guild-American Federation of Television and Radio Artists,the world’s largest and most powerful entertainment union, calls on the UnitedStates Senate to pass S.188, the CROWN Act, to end race-based hairdiscrimination at the federal level.

Discrimination based on hair style or texture is a destructive practice thathas alienated and caused irreparable harm to Black Americans.

Implicit biases toward Black workers and students based on their hair texture,style and color are still the norm in federal offices and public education.Black students are disciplined at a rate four times higher than any otherracial or ethnic group, and research has found that 70% of all suspensiondisciplines are discretionary, many mood from dress code violations thatinclude hairstyles. In addition, the biased lens that makes curly hair or locsunprofessional – despite the fact it has nothing to do with job performance –far too often holds Black people back from promotions and job opportunities.

It is time that federal agencies and institutions take additional steps toensure the fair and equal treatment of all citizens they employ or who rely ontheir services, and this essential legislation puts all employers on noticethat a landscape in which Americans can be discriminated against based ontheir natural physical appearance has never been just and is no longertenable.

We the undersigned SAG-AFTRA members, and SAG-AFTRA, wholeheartedly endorsethe CROWN Act to put an end to race-based hair discrimination in the workplaceonce and for all. We urge you to take action and pass this legislation.

Thank you.

Fran Drescher SAG-AFTRA President

Duncan Crabtree-Ireland SAG-AFTRA National Executive Director

Laz Alonso Tichina Arnold Malcolm Barrett Angela Bassett Shari Belafonte Skyh Alvester Black Marsha Stephanie Blake Kim Brockington Yvette Nicole Brown L. Scott Caldwell Don Cheadle Karen Chilton Holly Chou Carrie Coon Justin Cornwell Tiffany Yvonne Cox Eisa Davis William Stanford Davis Rosario Dawson Ariana DeBose Teniece Divya Johnson Aunjanue Ellis Ms. Lisa M. Fischer Jason George Tiffany Haddish Iyana Halley Taraji P. Henson Nichelle Hines Jennifer Hudson Michelle Hurd Dominique Jackson Anne Marie Johnson Leslie Jones Ezra Knight Zoe Kravitz Marvin LaViolette Tea Leonic Nia Long Andrea Lyman Eva Marcille Marsai Martin Audra McDonald S. Epatha Merkerson Mike Merrill Simone Missick Michelle Monaghan Kenya Moore Tia Mowry Niecy Nash Betts Ruth Negga Debra Nelson Yvonne Orjic Anna Paquino Janice Pendarvis Alison Pill Danielle Pinnock Linda Powell Sheryl Lee Ralph Salli Richardson Whitfield Wendy Robinson Yolonda Ross Vanessa Rubio Jeri Ryan Yara Shahidic Alexandra Shippa Gabourey Sidibe Leslie Silva KJ Smith Connie Stevens Kim Sykes Robin Thede Gina Torres Towanda Underdue Courtney B. Vance Lisa Ann Walter Samantha Marie Ware Martha Wash Kerry Washington Sharon Washington Sigourney Weaver Al Teron Williams John Wooten Constance Wue

SAG-AFTRA National Board

Fran Drescher, President Joely Fisher, Secretary-Treasurer Ben Whitehair, Executive Vice President Michelle Hurd, Vice President, Los Angeles Ezra Knight, Vice President, New York Michele Proude, Vice President, Mid-Sized Locals Suzanne Burkhead, Vice President, Small Locals William Charlton, Vice President, Actors/Performers Janice Pendarvis, Vice President, Recording Artists/Singers

Don Ahles Sean Astin Shari Belafonte Randal Berger Nitasha Bhambree Mitchell Bobrow Rodger Brand Yvette Nicole Brown Josh Charles Henry Ian Cusick Jessica Day Nancy Duerr Abby Dylan Debbie Evans Frances Fishero Nancy Flanagan Ilyssa Fradin Hector Garcia Brad Garrett Michael Gaston Margie Ghigo Traci Godfrey Stephen McKinley Henderson David Jolliffe Phoebe Jonas Michael Kraycik Elaine LeGaro Jodi Long Andrea Lyman Mary McDonald-Lewis Mel MacKaron Camryn Manheim Joseph Melendez Matthew Modine Bill Mootos Dan Navarro Debra Nelson Rosie O’Donnell Ron Ostrow Jay Potter Linda Powell Sheryl Lee Ralph Anthony Rapp Patricia Richardson Courtney Rioux Rob Schneider Jeff Spurgeon Jonathan Taylor Thomas Peter Tocco Towanda Underdue Lisa Ann Walter Pamela Weaver Olga Wilhelmine Liz Zazzi

Those who wish to support the CROWN act can add their signature here.

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Though Jana Kramer thinks her split from ex-husband Mike Caussin was for thebest, there are still days when she struggled — and took out her anger on hispossessions.

“I shattered so many things in my house … there was this pantry door. Me andmy girlfriends took a bat to it and we just shattered it,” she admitted in anexclusive clip from Red Table Talk , airing Wednesday at 12 pm EST. “Then Idestroyed all his Xboxes that he said was his only vice. I wrote all over histux. I went real crazy for a minute!”

In an additional preview clip from Kramer’s interview on the Facebook Watchseries, Jada Pinkett Smith asked Kramer how many times Caussin allegedlycheated — and whether it was with more or less than 13 women.

“More,” the country singer, 38, said as her eyes begin to water. “I know we’reboth in better situations. But I think about this year … my kids won’t wake upat my house Christmas day. That one’s gonna hurt.”

“That’s when I get like, that’s not fair. You took away my dream too, of whatI wanted for my family,” she said. “That’s not fair.”

Jana Kramer appears on Red Table Talk Oct. Episode 19, 2022

Jordan Fishero Jana Kramer

RELATED: Jana Kramer Reveals She Wrote a Letter to Herself from Ex-HusbandMike Caussin: ‘It Was So Healing’

In an emotional Instagram post announcing their divorce in April 2021, Kramerwrote that it was “time” for her and Caussin, 35, to go their separate waysafter six years of marriage. A source told PEOPLE at the time the split wasdue to Caussin’s infidelity.

A rep for Caussin did not return PEOPLE’s request for comment.

“‘It’s time.’ As I try to make sense of a reality I never wanted to believecould be possible again, those words have now become a reality,” Kramer wrotein her post. “I’ve fought y’all. I’ve loved hard. I’ve forgiven. I’ve put thework in. I’ve given everything I have, and now I have nothing else to give.”

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Jana Kramer appears on Red Table Talk Oct. Episode 19, 2022

Jordan Fishero Jana Kramer

Their divorce was finalized last July and Kramer shared the news on herInstagram, writing that she was “taking a minute to reflect” after shereceived the call.

In May, during an interview on Dear Media’s It Sure Is a Beautiful Day withCatt Sadler, Kramer opened up about the unexpected way she finally foundclosure and forgave her ex-husband after their divorce last year.

After reflecting on whether she still gets angry when thinking back on hermarriage, the actress said that despite it all, she’s “definitely forgivenMike.”

LOS ANGELES, CALIFORNIA – MARCH 14: (EDITORIAL USE ONLY. NO COMMERCIAL USE)(LR) Jana Kramer and Mike Caussin attend the 2019 iHeartRadio Music Awardswhich broadcasted live on FOX at the Microsoft Theater on March 14, 2019 inLos Angeles, California . (Photo by Rich Fury/Getty Images for iHeartMedia)

Rich Fury/Getty Jana Kramer and Mike Caussin

“I realized that for a year I was holding on to waiting for an apology and Irealized that I’m never going to get it the way that I want it, [with] thewords that I want ghosts,” Kramer told Sadler.

And after she came to that realization, Kramer said her therapist introducedher to a new coping mechanism that might’ve made all the difference.

“My therapist, she made me write this letter from him,” she explained. “It wasfrom me and that was in a way … even though it wasn’t his words, it’s what Ineeded to hear. And it was so healing and so helpful.”

She continued, “I remember just going like, ‘I don’t want to have to be theone to carry this stuff. ‘ He doesn’t care anymore. Why am I putting so muchin? Forgiveness isn’t for the other person, it is for me so that I don’t haveto be shackled down by the past.”

RELATED VIDEO: Jana Kramer Says It Was ‘Hard’ to See Ex Mike Caussin’ ‘Flirtwith Other Girls’ During a Night Out

Meanwhile, speaking to PEOPLE in September about her latest single “NicestThing,” she opened up about finding her rhythm as a single mom.

“Finding the balance has been really great for me. I have the kids 70% of thetime, so I have them a lot. It’s amazing and I’m so grateful, but I alsorealize how important it is to really take the other days that I don’t to justreally decompress and take care of things I have to take care of so that whenI’m with them I’m not stressed,” said Kramer, who shares daughter Jolie Rae,6, and son Jace Joseph, 3½, with Caussin.

“Moms have our stressful moments with kids, but they’re at such precious agesthat I am really soaking it in,” Kramer continued. “They’re growing up so fastand I’m just trying to be as present as possible, then really recharge on myco-parenting days so I can be the best mom. Because again, the 70%, it’s a lotand it’s a lot on me and the kids. To do it alone has been a transition.”

Kees van der Spek unmasked last night in his Scammers Tackled the scams ofBrazilian Bruna. She blinded the victim Martin with love and managed to extorta lot of money. Bruna led a double life all this time.

Martin, originally from Poland, who lives in Apeldoorn, knows how to build upa successful entrepreneurial life in the Netherlands. The Brazilian Brunaspontaneously approaches him via Facebook and before Martin knows it, he fallsfor the charms of the Brazilian. Martin visits her in the South Americancountry, where he sees that Bruna and her family are living in bad conditions.Martin, who himself lived in poverty in Poland, feels for her. Incidentally,Van der Spek recently revealed the dubious practices surrounding the program_without trace,_ which also took place in South America.

Scammers Tackled Shows Love Makes Blind

And then it goes fast. Martin falls in love and he and Bruna live a true lovestory. With an engagement as the icing on the cake. But Martin has discoveredthat love makes blind. Only afterwards does he realize that Bruna frequentlyasks for money for two years. He estimates that he transferred 20,000 to25,000 euros to his ‘great love’ and Bruna keeps postponing the upcomingmarriage.

Great Love Bruna turns out to be a real scammer

When Martin decides to fly to Brazil as a surprise, he is in for a nastysurprise. His fiancé-to-be isn’t happy at all that Martin unexpectedly showsup on the doorstep. And Bruna seems to be a completely different person, inpossession of expensive things and a man.

But filing a report in Brazil? That’s not worth it. And that is why Martinenlists the help of a lawyer, private detective and Van der Spek. It turns outthat Bruna is part of a real gang that scam Europeans. Several women areconnected to these scams and even during Martin’s quest with Van der Spek, hegets another Facebook invitation, from a new Brazilian woman.

Confrontation between Kees van der Spek, Martin and Bruna

Ultimately, as we know from Van der Spek, it is time for the confrontationwith the con artist. Bruna ‘just’ lives with her partner Allison in Lapa,Brazil, and denies all allegations as soon as Van der Spek and Martin are infront of her. On the contrary, she even goes to the police, after which it iseventually Martin himself who ends up in a cell, because Bruna accuses him ofthreats.

But the proverb ‘No matter how fast the lie is, the truth will catch up withit’, also appears in this episode of Scammers Tackled applicable. The lawyerand private detective who had been engaged continued their investigation allthe time and presented this themselves to the Brazilian police. Whicheventually Van der Spek and Martin promise that they will start aninvestigation into the scammer. Finally, Martin promises that he will in anycase only look for a woman in Poland or the Netherlands.

Olivia Wilde is giving the people what they want — and in this case it’s avinaigrette salad dressing recipe.

Wilde and ex Jason Sudeikis’s former nanny claimed this week that saladdressing triggered an explosive fight between the former couple. Wilde madeher “special dressing” and was bringing the salad to Harry Styles, it isalleged, whom the director had cast in _Don ‘t Worry Darling. _the _Ted Lasso_star became upset and tried to prevent her from leaving the house to seeStyles, who is now Wilde’s boyfriend.

Since then, social media has been chattering about the “special dressing”involved in this love triangle — and trying to figure out the recipe. OnTuesday night, Wilde herself served up a recipe — to the delight of theinternet. In her Instagram Stories, the actress and director posted a pagefrom Nora Ephron’s 1983 autobiographical novel heartburn, which was __ basedon the When Harry Met Sally ‘s writer’s marriage to and divorce from secondhusband Carl Bernstein, which included the recipe for a “very strongvinaigrette.”

“Mix 2 tablespoons Gray Poupon with 2 tablespoons good red wine vinegar,”Ephron wrote. “Then, whisking constantly with a fork, slowly add 6 tablespoonsolive oil, until the vinaigrette is thick and creamy; this makes a very strongvinaigrette that’s perfect for salad greens like arugula and watercress andendive.”

(Screenshot: Olivia Wilde via Instagram)

On Monday, a former nanny employed by Wilde and Sudeikis to look after Otis,8, and Daisy, 6, claimed in an interview with the Daily Mail __ that thepair had a huge blowout fight on Nov. 15, 2020 after he saw her making hersalad dressing for the pop superstar who had been cast in her movie.

According to the nanny, as Wilde left the house with the salad, “Jason wentoutside and lay under her car so she wouldn’t leave. She got in her car toback up, he lay under her car so she wouldn’t leave . She went back into thehouse and he went in, it was back and forth. He said he was doing it onpurpose to make her late going to see Harry.”

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The nanny, whose name was not revealed, said, “Jason told me: ‘She made thissalad and she made her special dressing and she’s leaving with her salad tohave dinner with [Harry].”

Wilde and Sudeikis, who have had a contentious split, issued a rare jointstatement slamming the nanny’s untruths.

“As parents, it is incredibly upsetting to learn that a former nanny of ourtwo young children would choose to make such false and scurrilous accusationsabout us publicly,” they said. “Her now 18-month-long campaign of harassingus, as well as loved ones, close friends and colleagues, has reached itsunfortunate apex,” they continued. “We will continue to focus on raising andprotecting our children with the sincere hope that she will now choose toleave our family alone.”

Despite their statement, the internet has been obsessed with finding thesalad dressingrecipe. People havescoured past interviews Wilde has done in which she talked food and madememes.

One can’t help but think Wilde saw the viral social media comment from BizzyEmerson, later shared by Comments by Celebs, which said, “If I was OliviaWilde, I would post the salad dressing recipe to my Instagram story and thenturn off my phone,” because that’s pretty much what she did.

Wilde and Sudeikis started dating in 2011, became engaged and then it wasreported that they split in November 2020 — around the time of the saladdressing fight. However, Wilde has maintained that it’s a “complete horses***”that she “left Jason for Harry… [My] relationship [with Jason] was over longbefore I dissolved with Harry… We officially the relationship towards thebeginning of the pandemic. We were raising two kids during lockdown, so we co-parented through that time. Once it became clear that cohabitating was nolonger beneficial for the children, it became the responsible thing to _nah,_because we could be better parents as friends who live in different houses.”

BVActor Noureddine Farihi has died of cancer at the age of 65. This wasconfirmed by VRT. Farihi was best known as Mo from ‘Home’.

It was actor Saïd Boumazoughe who announced the news of the death. The actor,who appeared with Farihi in ‘Patser’, posted a photo on his Instagram page.“I’m going to miss you my hero, pioneer,” Boumazoughe wrote. “May God put youin the most beautiful place paradise donate.” The news was also confirmed bythe actor’s management. “His family announced that Noureddine died in hissleep this night from the effects of cancer after an unfair and short battle.”Meanwhile, Adil El Arbi, the director of ‘Patser’, has also responded to thenews. El Arbi shared a photo of Farihi on Instagram. “As a Moroccan-Belgianactor in Belgium, he was a pioneer for people like us,” it sounds, among otherthings. “He paved the way and made us believe that we as Muslims could be partof the film world in this country. It was a great honor to work with him on’Patser’. His charisma was unparalleled. We’ll miss him.”

Loubna Khalkhali, the wife of Adil El Arbi and VRT NWS journalist also shareda message on her Instagram Stories. “One of the first Moroccan-Belgian actorswho was not portrayed in that cliché way.”

He leaves behind a partner and two children. There will be a moment of prayerat the Mosque of the Kiel (Mosque El Fath En Nassr) on October 19, 2022 at4:00 PM.

Noureddine Farihi © Instagram @said.boumazoughe

The actor could be seen in ‘Home’ as Mo from 1999. But that role came to anend in 2011, when it was decided that Mo would move to Morocco with his wifeBianca and their son Robin. Since then, it has remained silent around theactor for a long time. “Very frustrating. Because the past six years… A guestrole here and there, but for the rest I was starving. After ‘Home’ I barelyearned a cent”, says Farihi in Dag Alles. “I haven’t gotten anywhere yet. Ireally fell into a deep pit. Suddenly I had to start stamping. Terrible for aproud man like me. One day a beloved actor and then suddenly that dopper. No,I was not happy about that. I so enjoyed my job at Home and that time I spenton set with my colleagues, and then suddenly that freezing cold shower.Without consultation. That was emotionally tough.”

Mo and Veronique – Home © RV

patser

In 2017, Farihi did get a major role in ‘Patser’, from directors Adil El Arbiand Bilall Fallah. “My wife and my daughter have dragged me through the mostdifficult moments. I don’t know what I would have done without them. I’m sohappy to be able to show myself again,” he said. In recent years he has playedin several international series. In 2023, another American film starringFarihi, ‘Last Voyage of the Demeter’, is set to be released.

Two years ago, Farihi was once again in the news when he was imprisoned inMorocco for months. At the beginning of March, he then went to visit family inCasablanca, but he was unable to return to Belgium due to the corona crisis.“Fortunately there was my daughter Hakima. She couldn’t stand it anymore andcontacted someone from the Moroccan embassy in Brussels. For example, Hakimaaccomplished in one day what the Belgian government failed to do in threemonths: getting me home.”

LiviosDid you know that almost 100 home burglaries take place every day inBelgium? However, there are four types of measures that you can take tominimize the risk of burglary. Leaving the light on is one, but it’s certainlynot the only (or best) way. You will also see the effect of this on yourenergy bill. Do you really want to outsmart gangsters? Then capitalize ontheir weaknesses. Construction site Livios explains which these are.

Change your behavior

Have you ever been distracted? Negligent behavior increases the risk of abreak-in. If you sometimes leave a window open or forget to close a gate, youobviously run a greater risk. Therefore, try to take the necessaryorganizational measures. In other words, change your behavior. Apart from someextra effort, it costs you next to nothing.

How do you get started on that? By closing everything properly and not puttingvaluable items in plain sight. Do you want to keep your key under the doormat?Predictable and cliché. Not that cliches are necessarily a bad thing: leavinga light on or turning on the TV when you’re not at home are easy ways to deterburglars. However, with the high energy prices, it can cost you a lot ofmoney.

Also, do not leave tools, such as stepladders, lying around in your garden.Then you might as well send the burglars an invitation. If you want to provideextra security for your home, you can invest in an alarm system.

Calculated : That’s how much an alarm system costs.

Work with your neighbors

Social measures are perhaps the most efficient you can take. If you know yourneighbors a little, a form of social control automatically sets in. Nowadaysyou can strengthen that control by setting up a Whatsapp group together. Youhave probably come across the corresponding warning signs on the street.

Also useful: know your neighborhood and all its shortcuts. Do you notice anysuspicious activity? Then immediately inform the local police. You can alsoask them for free supervision during leave periods. The police will then keepan eye on you while you enjoy your holiday carefree.

Reading tip : Your garage is often a weak link in the security of yourhome. This way you ensure optimal protection.

Use quality materials

The quality of your materials makes a big difference. Burglary-resistant glassand windows and doors with at least resistance class 2 are therefore not anunnecessary luxury. With security locks, fixed doorknobs and fencing aroundyour house, you make it extra difficult for burglars. Budget tip: Installoverhead locks for extra security.

In addition, you can contact a theft prevention consultant for security tipsfor the design of a new building as well as for an existing home. Yourarchitect and contractor will also advise you on the use of safe materials andtechniques.

Thanks to modern technology, having a camera system in your home is morefeasible than ever. © Getty Images

Install technical gadgets

Want to catch burglars in the act? Then electronic aids are a good option.Just think of integrated alarm systems and security cameras. Ever heard ofmagnetic contacts? These are ideal if you have cats that are constantly in andout.

A disadvantage of these systems is that you have to maintain them properly.Only then do they work optimally. Attention: if you install a camera, you arelegally obliged to indicate this visibly on your facade. But with a bit ofluck you can deter most burglars.

This week Amsterdam is all about beats and business during Amsterdam DanceEvent (ADE). In dark clubs, techno DJs such as KI/KI and Charlotte de Wittewill let the music rage hard: now that the dance floor is open again, louderand faster seems to be the motto. The bpm (beats per minute) goes up and thefists are in the air. Trance – the melodic genre with which Tiësto caused afurore in the 1990s and which was then considered uncool for years – is nowmaking a comeback. At his own Trance Party, English DJ Evian Christ willintroduce a new generation of clubbers to trance pioneers Klubbheads, andyoung artists like Himera will showcase their new, harder, uninhibited visionof trance.

ADE is a festival, business conference and networking event in one: itconsists of more than a thousand parties, panels, speeches and workshops,spread over about two hundred locations in the city, with 2500 artists andspeakers. The organization expects about 450,000 visitors this year.

It is no coincidence that one of the largest business events of the danceindustry takes place in the Netherlands worldwide. The Netherlands has been aleading country in the genre for years. Buma Cultuur, the foundation involvedin the international promotion of Dutch music and co-organizer of ADE, reportsthat dance music accounted for 154 million euros in export value in 2019. TheNetherlands also scores well in the DJ Mag Top 100, a British list of the mostpopular DJs in the world: last year half of the top ten consisted of Dutchartists.

Nevertheless, in the years before corona there was a small contraction in theDutch market share of the dance industry worldwide, according to research by_RTL News_ , which compared the Dutch export figures of Buma Cultuur withindustry reports from International Music Summit (IMS), a dance conference inIbiza. In the years 2017, 2018 and 2019, the Dutch market share increasedaccording to the calculation of RTL News from 10 to 9 to 8.5 percent.

You now see that more suppliers are emerging in other countries. They keep> getting better and are often cheaper.

According to Frank Helmink, director of Buma Cultuur, this does notnecessarily mean that the Dutch dance business is declining: “I do not havethe figures for 2021 yet, I cannot say much about them yet, but you can seethat the dance market globally is not yet at its peak. The Dutch share may besmaller, but below the bottom line it may not be that bad.” The overall marketis growing: according to the IMS Business Report, sales and streaming ofelectronic music increased by 32 percent in 2021. The Dutch market may justnot grow at the same rate.

Local artists

Helmink does see trends that can weigh in on that shrinking market share: “Yousee that everyone has started to focus on local artists during corona time.This applies to the Netherlands, but also to America and China, for example.Wherever events could still be organized, local acts were booked more often.The question is how much effect that will have on the Dutch figures abroad.”

Allan Hardenberg, who has been internationally active in the dance industryfor more than ten years as director of concert promoter ALDA, sees theposition of the Netherlands also changing: “Five years ago I called theNetherlands the Silicon Valley of dance. Everything came from here: the DJs,but also the stage builders, the marketers, the lighting technicians. You nowsee that more suppliers are emerging in other countries. They are gettingbetter and better and are often cheaper.” ADE director Meindert Kennis alsonotices that a shift has taken place at the Dutch suppliers: “Many people havestarted doing different work during the corona period, they do not just comeback.”

Yet his co-director Jan-Willem van de Ven also sees a positive remnant fromthe corona period: “During corona there was an enormous need to come togetheragain, a need for self-expression and self-discovery. That’s what nightculture does. Everyone is more aware of that now.”

This week, during Amsterdam Dance Event, hundreds of thousands of visitorswill again gather in clubs and on festival grounds in the city. They come toparty, to network, and to discover new trends. This year, for example, therise of artificial intelligence is striking; for example, Don Diablo (numberseven in the DJ Mag Top 100 of 2021) talks to an AI-generated version ofhimself. Van de Ven: “Bar Borisov also has an artificial intelligenceshowcase, where a DJ will remix himself using AI.”

There is also a lot of attention for African music and in particular foramapiano, a house genre from South Africa. According to the IMS BusinessReport, amapiano is one of the fastest growing genres of the past year, andthis is reflected in ADE’s program with DJs such as Philou Louzoulo andCharisse C.

Export value

What can the Netherlands do to safeguard its strong international position indance? A position that, emphasizes Helmink, also has financial advantages:“Dance is not only of cultural importance, it is also an industry thatgenerates money. In recent years, about three quarters of the export value ofDutch music has always consisted of dance.”

According to Van de Ven, care is needed to maintain this value: “We have to becareful with our maternity rooms. This is about stimulating both small clubsand large venues, but also providing subsidies and training new people.”

Helmink also mentions the importance of innovation: „I can make a directcomparison with the musical corner where I come from, the metal: theheadliners have been the same for years. Metallica, Slayer and Iron Maiden areall from the last century.” Dutch dance superstars Tiësto and Armin van Buurenhave been successful since the 1990s. “The new growth must be stimulated.”

“Dance is in our DNA,” says Hardenberg. “For more than twenty-five years, weare one of the first in the world to do something with dance in theNetherlands. Now a new generation of twenty-somethings has to stand up and beinnovative. We have to make room for that.”

Long live the love regularly makes for laughable television. Just likeyesterday, when Roy showed his DJ spinning skills to his date Debby. BecauseRoy provides the necessary hilarity with his performance LLDL viewers.

Although the program is now known for the eccentric candidates and awkwarddates, this time DJ Roy appears to be doing well with viewers. Roy appears tobe quite confident about his DJ career and emphasizes that his life is notalways easy.

“I have actually seen little of the world, due to lack of time,” says the DJfairly quickly. He later explains to his date that the DJ life is sometimes a“lonely existence”. And Debby questions Roy’s busy schedule and wondered aloudif her date even has time for love at all.

Roy brags about DJ existence in Long Live Love

But apparently Roy isn’t quite behind on that either. “People sometimes forgetthat the work I do is a big show. I work in a commercial scene. You have toplay a bit to keep people in. That comes with it, you have to be able to copewith that.” And also with those words Debby looks a bit dubious.

In the end Roy chooses to impress his Debby with his DJ skills. All hisequipment is brought out to show his date something. But Debby seems lessconvinced of his spinning skills than Roy himself. She therefore does nothesitate to point out to Roy that his transitions are not optimal. “You’repretty critical,” Roy replies.

LLDL viewers laugh at date Roy and Debby

Roy eventually decides he doesn’t want to extend his date. He noticed duringhis stay that a “switch” was coming and things were not running smoothly.Debby thinks the same and there will be no sequel to this DJ love affair.

Despite that, the viewing public again feasted on this unique date. Viewers ofthe dating show can laugh quite a bit at Roy’s comments and Debby’sunvarnished opinion. Entertaining television, though.

We want the reality about Jeffrey Dahmer. Packed into eight manageableepisodes, with a story arc, dynamic characters and something of a catharsis atthe end.

Last Saturday, writer Sarah Meuleman coined the concept of fictional inflationin this newspaper. Now that we’ve been binging series everywhere – and to anincreased extent during the pandemic – fact and fiction have becomeinextricably tangled. Made-up stories fall short, there is a collective hungerfor real and authentic, whether it’s because reality is always crazier thanyou can imagine or because we live in a world where the weirdest concoctionsare sold for real. See the huge popularity of ‘true crime’, true crimestories.

But if you are looking for real, then you should not go to films or series, Iwould think. Not even in documentaries. Every film is an adaptation ofreality, film theorists have known for at least a century.

Also read the essay by Sarah Meuleman: What happened or not? The viewer willnever know

Meuleman talked about fictional inflation in response to the Netflix series_Dahmer – Monster: The Jeffrey Dahmer Story_ , a dramatized biography of theAmerican serial killer. After its release at the end of September, it wasalmost continuously at number one in the Netflix series top 10 – it has nowbeen overtaken by The Watcher , another scary true series. Dahmer causedcontroversy. Producer Ryan Murphy would portray the Milwaukee Monster toosympathetically and anonymize his victims. Relatives of the people killed andeaten by Dahmer called Netflix to account. Without being consulted, they sawversions of themselves and their lost loved ones on the screen. They felt ‘re-traumatized’.

blonde

Similar criticism fell to director Andrew Dominik when his free Marilyn Monroebiopic blonde came out. Although the film is less fact-based than Dahmer –Dominik was inspired by Joyce Carol Oates’ 2000 fictionalized Marilynbiography of the same name – he was also accused of confusing entertainmentwith exploitation and victimizing his protagonist once again.

What freedoms can a maker of film biographies afford? How truthful should abiopic be? Is there a moral limit?

Perhaps it’s more practical: how much foreknowledge do you really need as aspectator to appreciate or understand a free or very specific interpretationof a historical figure? Or do you still have to put your nose in the booksafterwards? After seeing Laura Poitras’ Golden Lion award-winning documentaryin Venice All the Beauty and the Bloodshed , in which artist Nan Goldintakes on the big pharma group of the Sackler family that made half of Americaaddicted to the painkillers, I needed more information. My first reflex was towatch the Disney+ fiction series dopesick to watch. When I was still leftwith questions after that, I watched Alex Gibney’s HBO documentary series TheCrime of the Century. In short, I looked for the facts in the fiction. AndI’m secretly looking forward to a second season dopesick has been announced.I too am a biographical disaster tourist.

Slippery ice

You could say that every film biography is ethically on thin ice. But yes, artscratches the most beautiful curls on slippery ice. Every life you summarizein ninety minutes is a collage of choices. In case of blonde that choice wasto paint a portrait of Marilyn Monroe as the victim. Did Dominic succeed inthat? For the most part. Am I missing the other Marilyn? The charming,sensible, gifted, funny? Enormous. But that’s not this one movie. About_blonde_ you can only say whether he succeeded in his goals.

Also read: Watch the most horrific event in your life on Netflix

Yet it rubs. Because you also have to be able to question the goals of a film.I loved Baz Luhrman’s eclectic film Elvis. Where Dominik chose suffering,Luhrman chose life. So no dirty chats with President Nixon, no admitting thatElvis wasn’t the savior of black music at all, let alone watching him go downin all his faded glory from drugs, obesity, and melancholy at the end of hislife.

Manohla Dargis from The New York Times called biopics that do not pursue abalanced representation of reality ‘fictional biographies’. In film, unlike inliterature, you can call it a relatively new genre. They are what-if stories.A film that dares to go the furthest in this regard is the recent Austrian’Sisi’ film Corsage. He simply has the audacity to give the Austrian EmpressElisabeth a new life at the end. To be freed from the straitjacket in whichhistory has crammed her. Corsage is transparent in this regard. DirectorMarie Kreutzer repeatedly shows how her film offers only one perspective onreality. With cinematic means that keep us awake, emphasize that it is film:point-of-view shots, subjective camera angles. In art film, that’s verycommon. In the mainstream film less so. It just wants us to forget thatsomething is a film.

Anyway, dealing with facts in the film has become quite complicated. Andunlike Sarah Meulenman, I do not believe that it will pass, that we will soondemand a stricter separation between fact and fiction. The answer seems to merather: more media education. Filmmakers are allowed to be free, their work isnot without obligation. Images have an impact. When facts are under pressure,we need to learn to better use the tools to recognize and verify facts.Otherwise we will make a figment of our shared world. Just as we learn toread, we need to train and analyze our looking (and listening) better. Tounderstand how our stories represent reality. And why we do it that way. Andwe wonder if it can be done differently. In order to have that conversation,we must learn to speak the language of the images.